Friday, January 9, 2015

Fights With My Father, Part 1 - Thrash Metal

It was tough being the son of a junior high school teacher, especially when I was in junior high.  I was fortunate not to go to the same junior high that my dad taught at, but it was still brutal.  My dad is a judgmental asshole.  He judges everyone, and not based off of anything other than appearance.  I remember my dad telling me about this "troublemaker" he had in class.  I asked him what the kid did that made him a troublemaker.  He then went on to physically describe the boy:  His hair was long, he always wore these AC/DC shirts, and his jeans had holes in them.  I waited for him to tell me what this "troublemaker" did, but was only left with a physical description.  I was probably seven or eight at the time, and I took my dad's word that he had a "troublemaker" in one of his classes.


Boy swimming in his dad's Raiders jersey
1981 - Wearing my dad's Ken Stabler Jersey.  This jersey now
resides in my closet.
Years later, I discovered a new music genre:  Thrash Metal.  The thrash scene had already exploded in the Bay Area a couple of years before, but by the time I was in seventh grade, it was beginning to gain nationwide popularity.  And we were right down the street from where it all started (across the bay, actually, except for the Omni, which was right down the street).  Several of my friends had older brothers who would go across the bay into San Francisco to the Fillmore, the Stone, or they would head into Berkeley and hit up Ruthie's Inn or the Keystone.  Us younger boys would sit and listen to their stories and wish we were old enough to go.  The stories were great, but in 1987, as I was entering junior high school, I was at my friend, Marc's house and we discovered his brother's room was unlocked.  We ventured in and found his album collection.  The first one we listened to was the newest one of the set.  It was still in its cellophane.  The cover had a bunch of long-haired guys leaning over a bar, and there were skulls in front of each guy.  The album was Pleasures of the Flesh by Exodus.  Marc tore open the cellophane (this act later earned him a black eye), and we played the record.  The first thing we heard was this lunatic's voice talking about salad and guns, and then the music kicked in.  Marc seemed used to the music, but it was completely different from anything I had ever heard.  The only music I had ever really heard at that point was what my parents would play, which usually involved the Beach Boys, the Moody Blues, or the Beatles.  The sheer energy of the music was intense, and I remember at first I hated it.  It was fast, it was loud, and my ears didn't want to handle what they were hearing, but by the second song, Til Death Do Us Part, I was getting into it. 

We listened for hours to the records we found; Ride the Lightning, Bonded By Blood, Master of Puppets, Reign in Blood, and Peace Sells... but Who's Buying.  We were captivated.  When Eric, Marc's older brother returned, we were immediately kicked out of the room, but we had the bug.  We needed more.  I had a tape player in my room, so the next weekend Marc and I rode our bicycles to a local Sam Goody record store, and I bought the cassette tape of Metallica's Ride the Lightning.  We weren't three feet in the door of my room, when I had the cellophane off and the tape in the player.  We got through Fight Fire With Fire, and about halfway through the title track my dad barged into the room.  He demanded to know what we were listening to.  When I showed him the cassette case, he got really angry, and drove me to the Sam Goody.  He told the clerk at the counter that I wanted to return the tape.  The clerk explained that since the tape had been opened, he couldn't give a full refund.  He allowed my dad to exchange the tape for one of the used tapes in the store.  My dad exchanged Metallica Ride the Lightning for U2 The Joshua Tree.  On the way home he explained that only the "troublemakers" in his class wore Metallica t-shirts, and that the good kids listened to U2.  I tried arguing, but he wasn't listening.  His mind was set.  This was the first moment I truly realized how brainwashed I'd been by my dad.  I decided from then on, I would never take anyone's word again.  I would need to find out the truth by myself, because if a boy can't trust his father, who can he trust?

My new found love, Thrash Metal, was deemed the enemy by my father, so I did what all good children do...  I went back to Sam Goody, bought Metallica's entire collection, brought all three tapes to Marc's house, made copies of the tapes, mislabeled the copies as U2, Pink Floyd, and Three Dog Night, and went home with them.  I asked my dad if I could have a Walkman to listen to my new U2 album.  Seeing that I was inspired by his decision for my taste in music, he agreed.  After I received my new Walkman, I was never without it.  I didn't listen to Thrash Music out loud (at home anyway) for several years, but man, did I listen to Thrash Metal on that Walkman.  The best part was my dad thought I was listening to U2, Pink Floyd, and Three Dog Night.  I'd be sitting on the couch, reading an Isaac Asimov novel, listening to Jump in the Fire, and my dad would just smile.

My collection began to grow as 1988 turned into 1989, and by 1990 I had over thirty albums disguised as other records.  1990 also marked my sophomore year in high school; the year where kids start to turn into adults.  Most sophomores turn sixteen, which allows them to drive, which gives them freedom never before experienced.  1990 also marked the year my family moved from Oakland down to Los Angeles.  I was furious because I was just getting to the age where I might actually get to go to some of the shows at the clubs I'd heard so much about.  I was happier to be closer to my Raiders, who moved away from my home town when I was eight, but I always associated Los Angeles with the poser crowd who listened to Poison, Ratt, WASP, and Winger.  I wanted no part of that Los Angeles.  We moved into a house in North Hollywood, and I was enrolled in the local high school. 

On my first day of high school in LA, I immediately saw a divide in the crowd of students.  There were the typical cliques you see everywhere; the jocks, the stoners, the geeks, and the prima donnas, but I noticed one group was entirely different in LA, than in Oakland; the metalheads.  In Oakland, all the metalheads wore denim and leather, had long hair, and tended to take up a lot of space.  In LA, there were three groups of metalheads.  The largest of the three groups was the Sunset Strip Posers (as I would later refer to them).  They used more hairspray than the girls in the prima donna clique.  They also wore makeup and these loose, button down shirts that they would roll the sleeves up.  The second largest group was a bunch of skinheads.  They weren't really metalheads, but they loved the hardcore punk scene, which I understood, because I had recently been introduced to Crossover Thrash.  The smallest of the metalhead groups was the Thrashers, which included some of the old school metal lovers (The guys who still worshiped Led Zeppelin and Black Sabbath).  I wanted to be a part of the Thrashers, but again my dad's criminal profiling mentality was prohibiting me from that.

My dad believed (and still believes) that boys with long hair are "troublemakers," so I always kept my hair cut short.  When I got to Los Angeles, I decided I was going to be who I was.  I got my haircut the first week of August, and decided I wasn't going to cut it again.  The months went by and my hair really started to look long around mid October, and that was when my dad told me to get a haircut.  I told him I would, but just ignored his command.  For the next six weeks he continued to ride me about my hair, telling me I looked like a "troublemaker."  I decided it was time to make a stand.  I took the bus to Tower Records on Sunset Boulevard.  I bought a Megadeth, Rust in Peace t-shirt and put it on.  I rode the bus back home and walked into the house.  My dad was so angry, I think I actually saw steam coming out of his collar.  He screamed, "What the hell do you think you're doing?  You know what you look like?"

I replied, "Probably a troublemaker."

"You're goddamn right!  Take that off now, and get in the car!  You're getting a haircut!" he yelled.

I walked to my room, turned to him and said, "No.  This is who I am.  Deal with it!"

I slammed the door and locked it behind me.  My dad pounded on the door demanding I open it.  I could hear my mother trying to calm my dad down as I put my headphones on and started listening to my new copy of Rust in Peace, which I had also bought at Tower Records.  I could still hear him pounding on the door for a couple of minutes, but then it went away, and I slipped into my own little world of Megadeth's newest album.  After listening to the entire album and finishing a couple of chapters of The Cat Who Walks Through Walls, I took the headphones off and just laid in my bed listening for what was happening outside my room.  After a little bit, my mother knocked on my door and asked if she could come in.  I asked where Dad was, and she assured me that he wouldn't come into my room.  I walked over and opened the door.  My mother and I sat and had a little conversation.  I told her that Dad was wrong labeling people just because of the way they look.  I explained that Dad was being a hypocrite for hating racists because of their close-minded attitude, but then he would turn around and call someone a criminal for having long hair and a band t-shirt.  My mother told me I didn't have to cut my hair, and that she loved me for who I was, and not for what I looked like.  She told me my dad did too, he was just a little upset at the moment.

Eventually I came out of my room that night, but if memory serves me correctly, it wasn't until a couple of weeks later that my dad spoke to me.  The next time he talked to me was when he came home one Sunday and found me watching the Raiders game in the living room.  My hair was still long, but I was wearing my Ken Stabler jersey.  We watched the game together, and I think that was what ended that fight.



Tuesday, January 6, 2015

10 New Thrash Bands You Must Check Out

As a thrash metal fan, I used to be very closed-minded, especially in the 1990's when grunge and nu-metal killed my favorite genre of music, but starting in the early to mid 2000's I noticed a resurgence of bands that harnessed the power of my favorite thrash bands of the 1980's.  Here are ten new (post Grunge) Thrash Bands that I think every thrash fan should listen to:

1.  Municipal Waste - Of all the new wave of Thrash Metal bands out there, Richmond based crossover band, Municipal Waste might have had the most success so far.  There is a reason.  They really know how to put together great albums.  I was first introduced to them when a friend was listening to Hazardous Mutation.  I was blown away.  Not since Pantera's Vulgar Display of Power had I been so excited to hear a new album.  There catalog has grown since then, and every album they release, they continue to impress.  Another favorite of mine is their most recent release, The Fatal Feast.  I particularly like the song Idiot Check.  I can completely relate to the lyrics and the anger it addresses.
 

2.  Fueled By Fire - This Los Angeles band was one of the first new Thrash bands to show up on the scene.  Around for thirteen years, they have three full length albums, all of which are great.  My personal favorite is their debut, Spread the Fire.  The title track on it is amazing and worth the price of admission on its own.  Their most recent album, Trapped In Perdition has taken the band to a new level.  There have been comparisons made to Exodus and early Vio-Lence.  If these guys were around in the mid 1980's, they would have been right there with the Bay Area Thrashers.


3.  Warbringer - Another Southern California band, Warbringer has a serious heavy sound.  My introduction to them was with their debut album, War Without End.  It's sheer energy and attitude drive into my soul.  Whenever I'm at the gym or decide to go for a run, War Without End is ready on my iPod.  Their most recent album, IV: Empires Collapse is nothing short of magnificent.  I strongly recommend all thrash fans to check these guys out.


4.  Lich King - This Massachusetts based band has a pretty solid catalog.  They have riffs which remind me of Slayer, a vocalist who reminds me of a young Zetro Souza, and solos that rival Phil Demmel.  Their lyrics are quirky, but not to the point that the music is not listenable.  If you want to get a new batch of old school Thrash, check these guys out.  A couple of the gems I've found in their library are A Storm of Swords and Grindwheel both on the album World Gone Dead.  Born of the Bomb, and their brand new EP, Do-Over are also fantastic finds.  Some of their earlier albums could use an upgrade, but even then, their songwriting skills are ever apparent.


 5.  Razormaze - Another Massachussetts band, Razormaze is an often overlooked band, but they have an amazing sound.  They really outdid themselves on their latest album, Annihilatia.  Being on the West Coast, I can't speak for East Coast radio stations, but I found many radio worthy songs on Annihilatia,  and I am surprised they don't get airplay on some of the hard rock / heavy metal stations.  I highly recommend their entire catelog.


6.  Havok - I first discovered these Colorado thrash masters when I accidentally stumbled upon the initial release of their second album, Time Is Up.  I was hooked immediately.  These guys know how to shred.  D.O.A. and Killing Tendencies are my favorite tracks off Time Is Up.  After listening to it for a couple of weeks straight, I decided to give their debut album a try.  Burn is a great album.  Perhaps it's just my second release man mentality, but I always end up tuning back into Time Is Up.  Another gem of theirs is their cover of Black Sabbath's Children of the Grave on their most recent release, Unnatural Selection.


7.  The Law - I was introduced to The Law when I watched the documentary Get Thrashed, produced by former Overkill drummer, Rat SkatesTheir song Anthem was one of the featured songs in the film, and I had to find out who made such an incredible song.  I came to discover that it was these Swedish thrashers, which amazed me, because the topic of the song Anthem is a roadtrip across America by a band.  I bought their album, and I am so glad I did.  Distorted Anthems from the Suburbs is a hidden treasure within the thrash metal community.  I highly encourage all of you to look into it.  And if you haven't seen it yet, everyone, and I mean everyone, needs to watch Get Thrashed.  The documentary will pump all metalheads up, and make non-metalheads at least understand us a little better.


8.  Toxic Holocaust - Originally a one-member band, Toxic Holocaust has become one of the front runners for most versatile New Thrash Bands.  For nine years Joel Grind was the sole member of Toxic Holocaust, but in 2008, he got himself a couple of new additions to his band, a bassist and a drummer.  Adding the other members to the band has done nothing but great things for Toxic Holocaust.  Their first release as more than just Grind, An Overdose of Death, is still my favorite release by the band.  Their most recent album, Conjure and Command, is an absolute onslaught of Thrash.  I highly recommend you check them out.


9.  Evile - There is a good chance that many of you have already heard of the British band, Evile.  They started their recording careers with a bang, landing Flemming Rasmussen as their producer.  Rasmussen, known for producing many of Metallica's early albums, helped the band record Enter the Grave, a truly epic debut album.  Their second release, Infected Nations, continued to build their status as the elite, up and coming Thrash Metal band, but then they were dealt a major blow.  Similar to Metallica, Evile lost their bass player, Mike Alexander, to an untimely death.  But, just like Metallica, Evile rebounded from the loss and has since released two stellar albums.  My favorite is Skull.  If you haven't heard them yet, give them a try.  You won't be disappointed.


10.  Infinite Translation - The first time I heard these French thrashers, I was extremely drunk.  In my drunken state, I was in awe of their riffs and heaviness.  However, after sobering up I discovered that not only are they heavy and have great riffs, but they are extremely talented song writers.  Impulsive Attack was easily one of the best purchases I made back in 2010.  It's still on my iPod, five years later.  I highly recommend you give these guys a listen. 


If you know of any new thrash bands that I haven't included, and you feel they are worthy to be mentioned, please comment.  I plan on releasing more blogs of this nature in the future.


Saturday, January 3, 2015

Harry's Top 40 Thrash Metal Albums


Harry here!  This is my Top 40 Thrash Metal Albums.  The albums I consider the best of what the Thrash Metal is.  I should clarify that my list is comprised of only albums released between the beginning of Thrash Metal in the early 1980's to around the time of the Clash of the Titans tour in the early 1990's.  I know there are many great Thrash Metal albums that have been released recently, and I'll be making lists in the future which comment on them, but for the time being, my list is from the first decade of Thrash Metal.  Bring on the comments.  I'm sure I'll have some haters out there who disagree with every one of my choices, but this is Harry's list, like it or not.  Do me a favor when leaving a comment.  Don't just bash me, explain why you're bashing me.  Think before you respond, and come up with an actual argument.  Same goes for those who agree with me.  Don't just say you agree, explain why you agree.  The world has too many mindless drones who react without any thoughts.  Give me some real comments.

1.  Slayer - Reign in Blood 


2.  Metallica - Ride the Lightning

 
3.  Megadeth - Peace Sells... But Who's Buying? 



4.  Testament - The New Order


5.  Metallica - Master of Puppets


6.  Overkill - Taking Over


7.  Anthrax - Spreading the Disease


8.  Vio-Lence - Eternal Nightmare


9.  Slayer - South of Heaven


10.  Megadeth - Rust in Peace


11.  Exodus - Pleasures of the Flesh


12.  Metallica - Kill 'Em All



13.  Anthrax - Among the Living


14.  Death Angel - Act III


15.  Slayer - Show No Mercy



16.  Overkill - The Years of Decay


17.  Slayer - Seasons in the Abyss


18.  Exodus - Bonded By Blood


19.  Death Angel - The Ultra Violence



20.  Annihilator - Alice In Hell


21.  Testament - The Legacy


22.  Exodus - Fabulous Disaster


23.  Dark Angel - Leave Scars



24.  Kreator - Extreme Aggression


25.  Sepultura - Schizophrenia



26.  Sepultura - Beneath the Remains



27.  Nuclear Assault - Game Over



28.  Forbidden - Forbidden Evil



29.  Metallica - ...and Justice for All


30.  Megadeth - Killing is My Business and Business is Good


31.  Heathen - Breaking the Silence


32.  Nuclear Assault - Handle With Care



33.  Kreator - Pleasure to Kill


34.  Whiplash - Power and Pain


35.  Sodom - Agent Orange



36.  Suicidal Tendencies - Lights... Camera... Revolution!



37.  Dark Angel - Darkness Descends


38.  Overkill - Feel the Fire


39.  Anthrax - Fistful of Metal


40.  Destruction - Eternal Devastation



Honorable Mention:

- Anthrax - Persistence of Time


- Voivod - War and Pain

- Hirax - Hate, Fear, and Power

- Stormtroopers of Death - Speak English or Die

- Megadeth - So Far, So Good, So What

Now bring on the comments.